It's Not Personal: Post 60s Body Art and Performance - Susan Best

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It's Not Personal: Post 60s Body Art and Performance - Susan BestHow does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina

But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art

190mm × 280mm

it's starburst pattern emitting an otherworldly glow

stitched together with semi-colons

‘I open my new book

is the founder and coordinator of CAA/CAA—the Contemporary Art Archive/Center for Art Analysis

In the course of his decades-long fascination with an agrarian aesthetic

Name-dropped through the nineties by groups like Sonic Youth and Yo La Tengo

Jenny Holzer and Peter Nadin present a collaborative work in copper ink comprised of truisms by Holzer on corporeal and emotional states and drawings of abstract bodies by Nadin

From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City

This is a limited edition print of Paradise Journal

Fatmeh Youssef

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