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AwelyeGalyas work is distinctive and highly individual. Her early paintings, dating from around 2004, drew on Portulaca oleraceaknown as munyerooa grass once abundant in the Utopia region and an important food source for generations. Its tiny black seed became central to her imagery, with Galya adopting its half circle form as a dominant motif in her paintings. Over fifty years of cattle grazing greatly reduced the abundance of this grass. In her paintings,

Pantjiya paints the sacred ceremonial sites

Do not miss to view the Biography of Phyllis Thomas

This story is about the Anumara (Caterpillar) travelling from WA to the north-west of South Australia

It was at Papunya where she observed men

the intricate application of body paint serves as a means for Aboriginal people to represent vital aspects of their lives

especially solanum berries such as desert raisins

Abie’s reputation is built upon her exceptional attention to detail and her mastery of fine dotting

Sharon has exhibited extensively in Australia

their dreamings and their way of life

“come on you have to go”

Kukika Adamson was born in 1950

Jorna’s paintings often focused on sacred sites and on the animals and plants commonly found in the country surrounding her community