Framed Plate No.4; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833

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Framed Plate No.4; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833Origin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 13. 5 inches (in frame) Width: 20. 5 inches (in frame) London. M. A. Nattali. Folio. In landscape form, the framed and glazed single engraved plate leaf, numbered Pl. 4, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts bones of the upper torso, rib cage

feeling his life a burden from the shame and ridicule to which he was exposed

in what is a near antique piece

There are two screws for fixing the knocker to a door

it fills us up

There are other pencil markings to the left flank of the drawing but it is rather difficult to decipher

this highly rated film stars the rather gorgeous Jean Seberg as Cecile

The splendidly designed text reads “Cercle artistique et litteraire rempart St Jean

Soon Ostend became known as "The Queen of the Belgian sea-side resorts" due to its popularity with both Belgian and English Royals

“Don’t leave Your Cat To Starve While You Are On Holiday”

These bench ends would have been part of that initial tidal wave of interest in the silver screen

Sectional mirrors such as these take their design from Irish examples which are highly prized and this piece was made with the best materials at the time

and archaeologists have found evidence in China of cupping dating back to 1

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