Bodies of Sound: Becoming a Feminist Ear - Edited and introduced by Irene Revell and Sarah Shin

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Bodies of Sound: Becoming a Feminist Ear - Edited and introduced by Irene Revell and Sarah ShinI am concerned with the power of sound! and what it can do to the body and the mind, wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. Bodies of Sound offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms from essays to text scores to art, fiction and memoir speak across gender,

focusing on her authorial stamp on Inland Empire – a movie in which her phenomenal performance shatters every scene – and her enduring and revelatory collaborations with director David Lynch

During the Edo period

electro and PINA enthusiasts alike

Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing

performativity and animals and examine examples of British ‘weather-blown films’ and work from around the world including Indigenous Australian film landscapes

Adam Pendleton’s 'Notes on Just Back From Los Angeles: A Portrait of Yvonne Rainer' stems from the transcript of the script prepared by Pendleton for Yvonne Rainer to read during their day spent filming at the Ridgeway Diner in Chelsea

including futurist Buckminster Fuller and choreographer Martha Graham

dance and place

Romaine Perin

Chux and cardboard

running for roughly seven years between 1973 and 1980

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