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Never odd or evenA steamy mirror with a nonchalant squiggle. This work transforms the space it is situated in, to a place where time moves in contradictory ways. It slows to a stop as the mark on a steamed mirror never fades.

It is a cast of brown bear claws taken from the specimen at the Tatra Museum in Zakopane that are incorporated into casts of my fingers and toes

symbolising biodiversity and the ways nature protects itself

Its vessel is destined to always be empty

what branches grow out of this stony rubbish

green can quickly become associated with something ‘poisonous’ and ‘unstable’

what I saw as stable

This modern interpretation shows a cosy figure at night

while space is ever-evolving

composed tightly at the thighs

through the religious order of the cross and the body facing technology

I draw links between abstraction and the weaponisation of landscape through the invention of aerial imaging for surveillance and reconnaissance purposes

perception

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